Unraveling Traditional Gender Boundaries: A New Paradigm of Identity in Ladies Coupe
Abstract
Anita Nair is a well-known postmodern Indian English novelist. Her novel, Ladies Coupé, explores several women’s lives through personal journeys. In today’s society, the rigid boundaries of conventional gender roles are being increasingly questioned. Ladies Coupé is a compelling exploration of these issues, offering a nuanced perspective on gender identity, societal expectations, and blurring of traditional roles. By focusing on female characters’ experiences within the confines of a ladies’ compartment, the novel provides a microcosmic view of the broader societal constraints and expectations that shape women’s lives. This article uses feminist and psychoanalytic literary criticism as its primary methodological framework to examine how Ladies Coupé challenges the traditional conceptions of masculinity and femininity, highlighting the complexities of gender identity in modern India. This paper analyzes the characters of the novel to show how it subverts conventional gender stereotypes and offers a more nuanced portrayal of gender expression. By examining characters’ interactions and relationships, this article explores how social expectations can both limit and empower women. The women’s compartment symbolises both the restrictions and possibilities that women face in a patriarchal society. Through their experiences, the characters demonstrate women’s resilience and autonomy in challenging the established gender norms. This research suggests that the novel not only critiques patriarchal structures but also envisions a transformative redefinition of gender roles and identities in Indian culture, offering new insights into how women’s voices can influence cultural and social change. The research eventually finds that Ladies Coupé not only criticises patriarchal standards but also redefines gender roles by depicting female characters who regain their identity, autonomy, and voice, providing a transformational picture of femininity in modern Indian culture.
Copyright (c) 2025 G Kirubahari, K Mangaiyarkarasi

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