Silappathikaram Stage Dance & Natyashastra’s Ashtanayaki: A Comparative Study

சிலப்பதிகார வரிக்கூத்து - நாட்டியசாஸ்திரிய அஷ்ட நாயகிஓர் ஒப்பீடு

  • D Padmapriya Ph.D. Scholar, Department of Performing Arts, Pondicherry University, Puducherry
  • M Suppaiya Assistant Professor, Department of Performing Arts, Puduvai (Pondicherry) University, Pondicherry
Keywords: Silappathikaram, Tamil Performing Arts, Ashtanayaki, Dance in Literature, Cultural Aesthetics

Abstract

Tamil literature, closely linked to the culture and lifestyle of the Tamil people, has the power to express emotions and unite communities. Silappathikaram, as a timeless artistic work, continues to resonate across generations, connecting with contemporary life and sensibilities. Over time, external linguistic and cultural influences affected the performing arts, often creating a perception that dance was associated only with non-Tamil traditions. This study examines the dance elements depicted in Silappathikaram and compares them with the concept of the Ashtanayaki (Eight Heroines) described in Natyashastra. The comparison highlights how dance in Silappathikaram represents a uniquely Tamil artistic tradition, rooted in Tamil culture and aesthetics, rather than being borrowed from other regions.

References

Krishnaswamy, S. (2000). Silappathikaram: Dance and Drama Traditions in Tamil Literature. Chennai: Tamil University Publications.
Ramaswamy, V. (2010). Natyashastra: Theory and Practice of Indian Classical Dance. New Delhi: Sangeet Natak Akademi.
Zvelebil, K. (1975). Tamil Literature. Leiden: E. J. Brill. (Sections on Silappathikaram and performing arts)
Padma, S. (2005). Ashtanayaki: Women in Classical Indian Dance. Chennai: Bharathi Puthakalayam.
Subramanian, R. (2012). Performing Arts in Sangam Literature: A Study of Dance Forms. Madurai: International Institute of Tamil Studies.
Published
2019-07-01
Section
Articles